Yearly Archives: 2010

Check this BOY out!

Close Up of Cody

Photos from the amazing opening of the exhibition by Cody Critcheloe and his band SSION last night at The Hole Gallery. The exhibition included video, painting, drawing, and installation and featured special guests fashion designer Peggy Noland and Jaimie Warren.
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Cody Critcheloe and SSION Opens This Thursday!

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CHECK OUT MY GIRL KATHY’S UPCOMING SHOW FOR THE HOLE:
I AM going to be there…are YOU?


Thursday, August 26th 6–9 pm

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FOR IMMEDIATE RELEASE: The Hole is pleased to present BOY, an exhibition by Cody Critcheloe and his band SSION. The exhibition includes video, painting, drawing, and installation and will fea- ture special guests Peggy Noland and Jaimie Warren. The sum of these parts could be called “Kansas City Gone Wild”: these artists are all part of an exciting new energy coming from this city and we want to show New Yorkers this big mess in the Midwest!

Cody Critcheloe is the mad mustachioed front man and creative ringleader of SSION: a band pro- nounced SHUN like the word PERCUSSION and FASHION and EXPLOSION. SSION is a collaborative confluence of creative kids in Kansas City. This queer punk performance art band just came out with BOY, a feature length movie documenting Cody’s life as a small town punk kid addicted to junk food dreaming of stardom who becomes a glamorous pop star with the help and hindrance of a gaggle of crazy dames. Archly witty and abounding and self-aware parody and pop-cultural collage, this film composites various music videos Cody made for SSION songs from 2007-2009 and links them together with mockumentary interviews, tour footage and cultural critique. Shitty green screen and hand- made painted cardboard props abound, as do hot fags, hot dance moves, and smoking hot costumes by Peggy Noland.

Peggy! She is a fashion designer on the verge. Her outrageous spandex concoctions put her on the map a few years ago outfitting bands CSS and Tilly and the Wall; she once sent me some apple print scratch and sniff leggings that really smelled. She has a shop in Kansas City that she does a com- pletely different crazy fashion/sculpture installation every few months and she will be building a pop up shop for the show.

I met Peggy a couple of years ago through Jaimie Warren, or “Madonna” in the SSION movie: she takes self-portraits looking and being weird that cut right to the heart of being young and bored and making your own fun in America. She co-runs a TV and community development show called Whoop Dee Doo that is another organizing element in the Kansas City creative community that includes Peggy and Cody and a whole lot more.

Cody will be installing his exhibition like a sweet hangout zone and video lounge. Peggy will have a fashion boutique in the front and Jaimie will have a photo installation in the showroom. SSION will do a one-night blowout performance in September and Peggy will present her new spring sportswear during Fashion Week. Stay tuned for details!

The Hole wants YOU to hang out with. Join their email list by emailing POKE@THEHOLENYC.COM

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What's YOUR plan for Fashion's Night Out?

FNO_sarahBlog2

Click the link above and map out your night!

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How the Hell do you walk in those Heels?

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The power of high heels is undeniable. Nothing is sexier than a woman in heels. I know for me personally as well as my friends, fellow fashionistas and all of my personal clients, wearing heels magically makes women feel on top of the world.

Okay, confession time: after 13 years in the fashion world, despite countless attempts to master a heel I keep coming up flat.  My tolerance time for heels is about five minutes and then, out of necessity, out of survival, I flee to flat boots and ballet flats.  I can’t even stand in heels or even walk to a cab – let along walk all over the city in them.

This is what happens.  First my legs begin to twitch. This quickly escalates to trembling and soon my whole body starts vibrating. My ankles cramp, my feet freeze, and my steps become slow and stiff. I am determined to walk at least a block but fully realize how ridiculous I must look: stomping one leg down at a time, readjusting my body and balance with each step and swaying my arms with tightly balled fists. Inevitably I end up going straight back home, all sweaty and disheveled, kick off my heels and slip into my “failure” flats so I can easily and quickly pitter patter down the pavement.

I’ve researched every fashion trick and tip in the book and the truth is, although a wedge or platform is more comfortable, nothing beats the Christian Louboutin dagger heels. These ubiquitous buzz-worthy heels began to tempt and taunt me; they screamed Sexy, Seductive, Superwoman. I envisioned myself as Jessica Rabbit, surrounded by dozens of guys with their tongues hanging out like a rolled out red carpet at my feet.

Now that fashion week is around the corner I’m on a mission to master the heel. Last year I wore my highest heel to the tents and within ten minutes of arriving I was walking around barefoot. Yes barefoot! I looked like a little girl in my bare feet among all the glamazons in sky-high heels. Hardly the glamorous look I was going for when I had put my heels on earlier that day!  For the rest of the evening, I grasped my high heels between my fingertips.  Never were they to touch the floor again.

This year walking barefoot, heels in hand is out of the question so I went straight to the top females in fashion for a crash course on how to walk in high heels and here is what they suggested….

With Champagne and an attitude.
–Mary Alice Stephenson

How to walk in high heels? With lots of practice–provided the shoes are the right fit to begin with.
–Cathy Horyn

With a dose of Motrin and great pride!
–Stephanie F Solomon

Walking in high heels is a fine art-I wouldn’t say I walk so much as totter in some of mine but the main thing is that I totter with style. When I put on my Louboutins, I do transform. They give you that certain angle that is just erotic. They make me walk like a 1950s siren-rouged up and curvaceous but in all the right places. And if heels can do that for you, even if its just psychological, then I want a pair.
–Holly Fulton

I found heels alot easier to walk in than in my ballerina point shoes……! I also question why wearing heels at night is much less effortless and painless than wearing them in the day time?
–Leila Antakly

It’s all about practice makes perfect.  Anyone can walk in high heels if they have the right shoe, good fit, right type etc….we can all be in that Cinderella story.
–Georgina Goodman

To make comfortable shoes you need to make sure you use soft leathers, and have a good last. I think walking in heels are more comfortable when you wear a wedge. That works for me 10 hours a day on my my feet.
–Tabitha Simmons

Much in the same way I breathe … naturally and without much thought
–Michelle Harper

With a girlfriend for support…or alcohol!
–Michelle Ochs

I am the worst person in heels!! And always jealous of those women who can walk around all day effortlessly!! Any tips on how to improve in this area would be much appreciated so I can finally start enjoying my shoe collection!!
–Anya Yiapanis

I don’t wear high heels anymore, I only wear platforms but I agree [with your article] if you cannot walk and feel comfortable in your shoes don’t buy them. It will definitely ruin your look if you start walking in a strange manner.
–Diane Pernet

Okay here it goes…for those beginners a platform heel is your best friend. The elevated front cuts down on the incline making the whole experience a lot easier. When you put on heels you instantly (and dare I say naturally) adjust your body so that while you’re putting more weight on the front of your foot, you balance that by sticking your butt out just a bit more. Why do you think men like women in heels so much?
–Kate Dimmock



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YBNY.COM YOU'RE BEAUTIFUL, BILL CUNNINGHAM

Originally published on A Shaded View on Fashion

Bill in Melbourne 
Bill Cunningham is the reference for all street style blogs today. We met with my first collection in NYC decades ago and he is as enthusiastic about fashion now as he was then. His film just screened at the Melbourne International Film Festival and got picked up for distribution in early 2011 for Australia and New Zealand. As soon as I heard about this documentary I tried to get it for ASVOFF 3  but alas, it did not work out, thank you Sarah for the link. –Diane Pernet

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The Women Behind "All Walks Beyond The Catwalk"

Originally published on A Shaded View on Fashion
A Q&A with Caryn Franklin & Debra Bourne

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(Founders of All Walks; Debra Bourne, Erin O’Connor, Caryn Franklin)

SSP: At What point in your fashion career did you recognize the impact/effect of unrealistic body sizes and decide to REACT to the fashion industry’s size 0 status quo?

DB: Around 1992, whilst Executive Fashion Editor of Arena mag, i started training to become a psychotherapist which took me down a different road. In particular, I furthered my understanding on the power of mirroring (personal and cultural) and its relationship to self esteem. Before working in publishing, previously I’d been a director of a successful PR company called Lynne Franks so I already knew the power that media and consumer marketing industry had to target and communicate to women.(Or manipulate, depending on one’s viewpoint). I had created and handled many campaigns for fashion clients.

I suppose my boiling point was 2001. Commercially, two things played a key part: The advancement of digital technology and its unregulated use of digital retouching/manipulation and the way that mainstream consumer brands were using fashion imagery (and it’s associated luxe production) as a one stop shop to position mundane mainstream goods so it was as if a global wallpaper of fashion imagery popped up. On a personal level, I was moved by the rise of good looking women I knew being so self-critical and considering cutting up a 3D form, their bodies, in an attempt to resemble a 1D form, a media image (that wasn’t even realistic in the first place). Seemed a bit nuts. Having become a mother, I also felt a protective instinct for younger generations growing up with this as the potential norm.

CF: I have worked in TV for many years. In the late 80′s we set up a large consumer fashion show called Clothes Show Live. It took place over 6 days and with 250,000 visitors it was a important space to keep the fashion shows realistic by using models that were relaying healthy messages to the young women that paid to be there. later I decided to do a prime time documentary on fashion and it’s promotion of the emaciated woman after I saw many models dropping weight to unhealthy levels during the heroin chic years. Over the years it has been a subject I have often returned to with strong opinions about the fashion industry’s unthinking approach. it is such a strong communicator to women about their bodies…it could take a more emotionally considerate approach.

SSP: What made you unite and found All Walks? Why is it important to you?

CF: We (Caryn, Debra, and Erin) all realized we were feeling the same way but reacting differently within our industry. When Susan Ringwood chief exec of Beat, a charity for eating disorders) asked up if it was possible to show fashion on a range of body shapes, we put our heads together and came up with All Walks Beyond The Catwalk-it has taken shape over the last year and has grown. We now deal directly with Lynne Featherstone Minister for Equalities over issues to do with the manipulation of femininity in the media and we initiated a large educational think tank at Graduate Fashion Week this summer reaching colleges and universities up and down the country to see if we can add diversity to the curriculum.

DB: The Beat Project brought the three of us around the same table. My kitchen table to be precise. It was the first time we had really met properly. As we chatted, we realized how much common ground we shared but from different fields of expertise. All Walks was literally born out of this dynamic exchange. It’s very important to me because I love the beauty, fun, and sensuality of fashion. When used to express oneself, it’s such a brilliant resource but when used to validate oneself as good enough-not great at all.

SSP: What is your mission and approach/strategy?

CF: To expand upon the imagery coming out of the fashion world by celebrating the diversity of shape, size and shade. Put simply, we work with a range of professional models in age, size, skin tone and match them to high end designers to create the inspirational yet realistic imagery we are so in need of. Women cannot separate the clothes from the body and they feel they are being sold a beauty ideal. Just by creating a different way of showing fashion we feel we have put something more female friendly out there. And this turn has contributed to change…Mark fast met Hayley who is a UK 14 on our shoot we have a fantastic picture of her in his designs but he took it further and decided to feature her in his catwalk show..the rest is history.

DB: Ultimately we are an organization interested in empowering the individual and feel now is the time to broaden the message that the fashion industry sends out to the rest of the world. We can’t do this alone, so we are hoping to inspire our industry to participate. We have taken an inclusive approach. our mission might seem a bit bold and it’s sometimes hard because even by the simple task of expanding on high end designer imagery on a wider range of models, be it size, ethnicity or age, there can’t help but be an implicit challenge to the current perception of beauty and values held within the fashion world.

SSP: Who in your community was receptive and encouraging from the start? Who was not?

CF: All the creatives we approached were encouraging, photographers, stylists, graphic designers, make-up artists, young designers. i-D Magazine really got on board and gave the feature 8 pages. On a business level from Spring Studios, Six Creative and Mark & Spencer were brilliant.

DB: There were a lot of people in the industry who were wary of our launch project, and not convinced that we could do it in a credible, industry literate way-however, as Caryn mentioned-from our introduction of Hayley to Mark fast and the huge media coverage gained, peoples attitudes have shifted. Over the past year, we have seen a global conversation about body shape unfold. We are just happy to contribute our piece to this.

SSP: What were the most important ingredients(government, models, health organizations, financial assistance) for the launch and longevity of All Walks?

DB: First the willingness of the designers and models. Without them there would be no All Walks. A close second is the British Fashion Council, who gave All Walks a home in the heart of London Fashion Week at Somerset House. Although there were understandable reservations, having the official thumbs up, meant a lot. Financial assistance will need to be our next focus. We have not approached Sponsors yet. However, we have some amazing ideas and opportunities lined up, so we are very interested in forging relationships with the appropriate brands/companies to support developments over the next three years.

SSP: So far, what are your biggest accomplishments, and changes/actions you’ve initiated?

CF: A change in climate…a shifting in thinking…suddenly this is a subject everyone has an opinion about.

DB: It’s been a busy 10 months..

-33 million opportunities to see(Our Media Evaluation by Lexis Pr of the launch project)

-The first Ready-to-Wear project to celebrate diversity to take place at LFW

-Speaking at the Houses of Parliament on International Womens Day 2010(Lib Dems Campaign)

-Sarah Brown (wife of Prime Minister, Gordon Brown, at the time) giving our key note speech despite hosting the 25th anniversary party of London Fashion Week on the same night! Huge gratitude and respect.

SSP: Do you foresee a fashion world where “All Walks” becomes the status quo? What do you really think needs to happen?

CF: I would love to think that fashion will naturally prioritize female friendly fashion and emotionally considerate design and messaging but things need to take root at quite a deep level…students of design only ever train on a size 8 tailor dummy…they do not know how to create clothes for ordinary women, with ordinary figures…this has to change…surely creativity is about making all women look beautiful.

DB: One has to dream, regardless. We understand the pressure on young designers to create signature looks to carve out their niche…But it also makes commercial sense for designers to design with bodies in mind. too many good designers just end up as a window display and are not re-ordered.

There’s a lot to happen. The shift to digital is unfolding in our lifetime. Just because we have the digital capacity to make someone look 20 years younger and 8 inches taller, is it OK to do so? Regardless of intellectual understanding, people instinctively believe photography to be real and those images penetrate. So when is enough, enough? Who is leading the way in demonstrating a healthy way to proceed? We are an industry of image-makers, so what part can the fashion industry play in this? How can we lead the way? All ideas welcome.

All Walks Beyond The Catwalk

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Fashionism: The Religion

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Hello My Name is StylishSarah and I’m a Shopping Cart-aholic

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Shopping has always been my drug of choice. Whether I’m happy and excited, anxious and uncertain, or feeling alone and depressed, I have always used shopping as my quick fix and coping mechanism.  There is no better high than going shopping. But like most addictions, the high is short-lived. After I get the bags to my apartment, the rush of happiness quickly deflates, leaving me with the same feelings I had before the shopping adventure. I caught myself before spiraling downward into a full-blown credit crisis of my own. But many people who have struggled with shopping addictions and are beginning to recover have recently been talking about a new factor that has made the struggle that much harder: Online Shopping.

E-commerce is one of the most innovative and successful developments to hit the fashion and beauty world.  I cannot imagine a world without Net-a-Porter, Bluefly, Ebay or Gilt Groupe. E-commerce opened a Pandora’s Box of endless spending opportunity for fashion and beauty shoppers: auction alerts, 24-hour customer service, convenience, comparison shopping to the best sales, discounts, and deals.

200559715-002No more missing store hours! No more schlepping various shopping bags around. Often it’s 24-hour delivery and beautiful packaging sitting at your doorstep like a carefully wrapped Christmas present. Most importantly there is now access to global fashion regardless of where you live. Urban and rural fashion lovers unite!

Add to all of this the convenience and privacy of shopping at home and it’s not surprising that shopping online is a curse for struggling shopoholics. But online shopping addiction is not just a risk for recovering shopoholics. It has, in fact, created a whole new category of addicts: Internet Shopping Addicts.  Over the last fifteen years, Internet Addiction Disorder, the problematic use (and abuse) of the Internet–from Facebook to emails to chat rooms and online shopping–has become a major focus of research that has been formally recognized by the American Psychological Association.

One of the largest centers focused solely on internet addiction, the Center for On-Line Addiction, previously focused on internet sex addicts, chat addicts, and gambling addicts but within the last decade has turned their attention to the latest online addiction: shopping. Compulsive and impulsive behaviors, found in traditional shopoholics are simply transferred to the online world and, in some cases, enhanced because it can be easily hidden from family and friends.

The recognizable advantages of online shopping are accessibility and convenience. What pushes consumers over the edge into addiction is the excitement of “finding the deal”.  Daily alerts and email notifications for the latest fashion and beauty sales –in particular the sites that have an auction platform like eBay or limited time only sales like Gilt Groupe –evoke a high similar to gambling.  This “high” is not just emotional but physical: a chemical response in your brain (serotonin and dopamine release making you feel good) stimulates the need to purchase. Daily email notifications for upcoming sales with a time limit and “first come first serve” shopping mentality is the perfect hook into loyal, fashion savvy, obsessed shoppers. Women are more likely to buy fast, furiously and without thinking when they find themselves in a race. Competing with millions of consumers in a limited time frame with limited product, the time-sensitive deal has emerged as the “crack” of e-commerce.

I never make rational decisions when under pressure so it makes sense that people shopping online in a time sensitive situation are more likely going to point and click immediately to ensure they got the product before anyone else did, regardless if they wanted it or not. I can’t tell you how many times I have impulsively bought something just because it was a high end designer that I would never be able to afford if it wasn’t 50% off, leaving me many times with the wrong size or something that just sits n the closet but I never end up wearing.

giltGroupeboxI adore Gilt Groupe and because I know that everyday at noon the sale will open, I need to be somewhere where I can access the Internet to get my daily fix. What a rush, what an achievement to get the item that I truly want in time, and that I would never be able to afford otherwise. So many of my friends and family are also members. I always laugh when I think about how many of us, no matter where we are, come together for the first five minutes, aligned on the internet, many days at noon.  Clicking without Thinking! Shopping without blinking!

Most of these sites are set up so that transaction process is easy and instant.  Once they have your information and credit card, it becomes insidious – I mean automatic. Shoppers simply point-click-repeat without realizing how much they are spending until they receive their credit card statement.  Lynnette Khalfani-Cox, a financial expert and author of “Zero Debt: The Ultimate Guide to Financial Freedom,” states that consumers spend 20-40 percent more when using a credit card over cash”(www.lemondrop.com).  In my case, she nailed it.  I am 100 times less likely to buy something if I have to pay cash in hand. With a credit card, I just shop, swipe and buy without thinking about it because the cost is not tangible.  When shopping online women tend to spend more and more often, without really realizing how much they are charging. Avis Cardella, author of the new book “Spent: memoirs of a Shopping Addict”, pointed out in a recent Wall Street Journal article, that shoppers feel “more pain when we have to part with cash as opposed to credit card.” He later posited, “I imagine shopping online or via hand held device, anesthetizes even further.”

Although online shopping addiction has always included both men and women (surprisingly men outspend women), a new demographic, Generation Y, (those born between 1977 and 1994) is poised to be the dominating generation in this arena.  According to the New York-based think tank for luxury brands, LuxuryLab,’s last “Generation Next Forum,”

Gen Y currently spends $150 billion a year on consumer goods. That’s five times more than their parents did at their age. They also influence another $50 billion in purchases made by others. Indeed, according to a recent report by Harris Interactive, one in every three-consumer dollars spent in the United States today is influenced by someone under the age of 18. Gen Y’s profound influence in the marketplace is directly linked to their familiarity with digital media.., 96% percent of Generation Y is active on at least one social networking site.

Mastering the online world is the key to success in contemporary society, but the easy access to buying products makes it that much more of a risk of creating a new generation of internet shopoholics. The most difficult part of this disorder is that so many times it goes unnoticed, unreported and untreated. Maybe there should be a warning on E-commerce sites: online shopping can become addictive. Shop at your own risk!

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Sarah loves to Love

originally posted on the POP

Sarah Sulzberger Perpich: What are your earliest and fondest fashion memories and who in particular inspired and fostered your love and curiosity for fashion and jewelry?

Pamela Love: My grandmother Rose first introduced me to fashion magazines when I was very young. She used to play dress up with me and let me put on her makeup. She had an extremely unique style: all black clothes, black beret, jet black hair and lots of silver jewelry and she played guitar. Everything about her was artistic and it inspired me even at an early age.

SSP: When did you first fall in love with jewelry and what do you love about it most?

PL: I first fell in love with jewelry when I was about six and my mother gave me my first pair of dangly earrings. I thought it meant I was mature and ladylike. I love jewelry because it holds so much significance for people.

SSP: How did your previous work and experiences influence your sense of style?

PL: I spent several years as Francesco Clemente’s painting assistant. His creative process is so inspiring to me. I learned a lot about being an uncompromising individual from him.

SSP: What inspired you to start your own jewelry collection and how did it come about?

PL: I started my collection shortly after the death of my father in 2006. For whatever reason, it just felt right and helped me through a very dark period of my life.

SSP: How did you manage to successfully launch a high-end jewelry line (some price tags are over $2,000) during an economic recession?

PL: I think when people have less money to spend they don’t stop spending. They are just much more particular and far more concerned with quality and value. I think my customers recognize and appreciate the value and care that goes into my work. I feel honored when people don’t have tons of money at their disposal and they still choose to buy one of my pieces.

SSP: Can you describe your creative design process — and if you think it is similar to the creative process behind fashion, art and music?

PL: I usually get an image in my head. Sometimes it will just come to my mind out of nowhere, other times it will be directly related to something I saw (a movie, a sculpture, a plant etc.). Then I may or may not make a quick sketch. Then I carve the model out of wax or clay.

SSP: How would you describe your collections’ design aesthetics? Signature styles?

PL: It’s a little dark and gothic but also light and spiritual… Rock and Roll, flower child, nomad, shaman, sorcerer, knight… My most recognized piece is the eagle talon cuff.

SSP: You are queen of creative collaborations: How is the design process different when collaborating with a fashion house and runway show?

PL: It’s totally different trying to take someone else’s ideas and inspiration and executing it your own way. It’s challenging to find ways to be true to your own aesthetic while realizing someone else’s vision.

SSP: Which collaborations have you enjoyed the most and why? Which ones have been the most successful and in what way?

PL: I loved collaborating with Zac Posen on the jewelry and accessories for his Spring ‘09 show. He gave me so much freedom and the pieces were such a focal point. I also loved collaborating with Opening Ceremony and Spike Jonze for a line inspired by his film Where the Wild Things Are. It was so fun and different from anything I had done before. It gave me a chance to be more whimsical and childlike in my designs.

SSP: Do you have any interest in launching a more affordable, accessible collection in addition to your high-end collection?

PL: Yes of course! As long as I can control where and how the collection is produced. I am extremely committed to domestic production.

SSP: What has it been like and what have you learned from your experiences so far in the fashion world and your instant success at a young age?

PL: Just to go slow. It’s not a race. Don’t take on too much at one time. Quality is always better than quantity.


Pamela Love’s top ten loves right now

1. Jackson C Frank
2. Torelli bikes
3. Turquoise
4. Men’s oxfords
5. Devendra Banhart
6. Old aviator sunglasses
7. New tattoos
8. Gardening
9. This amazing band called Woods
10. Dr Martens


Info: www.pamelalovenyc.com

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Bye-Bye Bra Boo-Boos

Bra shopping: I have loved it, hated it, spent more money than I should on expensive ones at Henri Bendels, and recently sought out the cheapest at Target or The Gap. Being a born again Recessionista, I thought that kind of money ($200 or more) better spent on an array of t-shirts and jeans from American Apparel, a dozen international fashion magazines, dinner at Whole Foods for a week or the occasional indulgence of a cab ride.

And while most women have to buy new bras over the years to keep up with changing breast size and shape, I’ve been lucky enough to wear the same size I first fit into at age 13. Which is another way of saying I have the same flat as a wall, barely-there boobies 17 years later.

I spent most of my life hating my prepubescent chest and avoiding body conscious shirts and dresses because I would look like a boy on the tops and “pregnant” (as I was called at least four times in my life) on the bottom.  Then New Years Eve 2009 I decided to do something radical: I put on a skintight dress.  That it took three bras, one strapless padded, one regular padded, and jelly inserts, to make it work didn’t matter. It worked so well that, something I had always thought shallow and trashy – the boob job – became my new obsession. But like a bad trend, about ten days and 10 Victoria’s Secret push up bras later, this phase thankfully came to an end.  I was over it and the so were the bras, which were stuffed in the garbage thus erasing all evidence.

“Something I had always thought shallow and trashy – the boob job – became my new obsession.”

About two months ago, at age 30, my belief that the only things that mattered in a bra was that it had a hook, was under $20, and didn’t dig into my chest with underwire was challenged. My fashion career had taken off. With requisite TV appearances, designer interviews and fashion videos there were many times I found myself changing clothes in rooms with no privacy.  My favorite flamboyant beauty and hair experts Taymor and Hector consistently commented about my bad bra choices: ongoing jokes that were made even funnier because they were completely warranted.

Fashion designers, friends, and family also began to make subtle comments about my undergarments. But the straw that broke the camel’s back was when Taymor, in the middle of doing my makeup suddenly stopped, stepped back and taking a full look head to toe exclaimed,

“Sarah, What is up with your bra? It’s not doing anything for you! It’s too small, too tight and does nothing for your torso. Get some padding. You need a bra that gives you some POW like a cartoon goddess: think Jessica Rabbit.”

Fighting with and avoiding the bra situation was no longer going to fly so I decided to take action.  I asked if anyone knew a good bra store and the feedback was unanimous: “Go to Bra Smyth on Broadway at 77th Street”. Despite feelings of apprehension, I shyly entered the store and explained to the woman who greeted me, Fahima, my situation: I had never bought a bra that actually fits.  In response, she simply smiled and signaled me to follow her to the dressing room. She walked in behind me, shut the door, and said, “Take it off.”  I had flashbacks of when I first went to the bra store and had to take off my shirt in front of a salesgirl, but this time I was much less timid.  I stood in the dressing room in nothing but a pair of cut-off shorts and RayBans while she walked slowly around me staring at my torso the entire time.

bra-fittingWithin about 30 seconds, she left the room saying only, “I’ll be right back”. About two minutes later she returned holding six bras of varying styles, shapes, cup and width sizes. I was rather incredulous: how could this woman possibly figure out the best bra for my body without asking me my size or even measuring my chest? She insisted that I start trying them on, and with nothing to lose, I took the first bra from her and hooked myself in.  I immediately went into shock:

“Oh. My. God.  Did she really do it? Is she a magician? Am I really wearing a bra that is flattering, comfortable and actually fits my body?”

Fahima quickly diagnosed and described why I had experienced such difficulty with bra sizes and shapes and then identified all of the bras in her store that would best fit my body and why. She handed two bras to the seamstress in the back of the store for alterations: one needed to be wider so she moved the hook, and one was beautiful but had zero support so she inserted some padding.  I had never heard of bra alterations before and it seemed like it could be hassle but was completed within minutes and best of all it was FREE.  She worked like a scientist, observing and getting everything exactly right. She reassuringly added, “No two bodies are the same…I have the same shape as you do,” making the process a lot less uncomfortable and even a little exciting.  I walked up to the cashier where she had laid out all of the bras we had selected: four black ones, two white ones, a nude tone, four lace bras, and one strapless.  In less than an hour she managed to solve my lifelong battle with the bra.

The first thing I did when I got home was throw out every bra I ever bought making room for my new bras. I was starting a new chapter in my life leaving behind the bad bras and the bad feelings.  I never really realized how important a bra is to the overall outfit until I actually had the “right” one: one that fits. Now that I do, my only regret is that I didn’t go to a bra specialist sooner.

Bra Smyth Broadway
2177 Broadway
(corner of 77th St.)
NY, NY 10024
212.721.5111

http://www.brasmyth.com/

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