-
Recent Posts
Recent Comments
- Marsha Pinson on StylishSarah’s Holiday WorkSHOP
- carol on StylishSarah Spies Best Fall Buys For Your Body
- Peggy Healy on Tweets from NY Fashion Week
- sarah on NYFW: The Highs and Lows of the Street and Shows
- coco chanel jewelry on In your 30s: Dress Shirt vs. Mini Skirt?
Archives
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- April 2011
- March 2011
- February 2011
- January 2011
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- December 2008
- November 2008
- September 2008
- August 2008
- July 2008
- February 2008
- January 2008
- December 2007
- August 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
Categories
Meta
Monthly Archives: April 2009
The Art of Dressing: Costello Tagliapietra

Robert Tagliapietra and Jeffrey Costello were destined to meet and become the dynamic designing duo Costello Tagliapietra. Growing up in working class families, Robert in Westchester, New York and Jeffrey in Philadelphia, Pennsylvania, both had grandmothers who worked as seamstresses at Norman Norell, yet they had never met.
In the 80’s, Jeffery began designing clothes in collaboration with local New York bands, which led to a lot of video work, movies, and personal wardrobes for stars like Madonna, Debi Mazar, and Dépêche Mode. In 1994, Robert and Jeffery met and it was clearly kismet. Their first collaboration was working for Madonna’s bedtime stories video and instantly the two realized that together, they could take the fashion world by storm. They were partners, a divine designing duo that still today claims the most important and influential person in their lives is each other.
In 2005, Robert and Jeffery officially founded their company Costello Tagliapietra. They were first recognized by the Ecco Domani Fashion Foundation and were awarded for an ensuing fall collection. Both being self taught, and with no direct connection to people in the industry, they blindly sent out their 12 look collection in a look book to hundreds of magazines. Within two weeks, they received a call from Irini Arakas from Vogue who wrote a story about them in March. By June, they were a company.
Costello Tagliapietra’s trademarks are beautiful ladylike dresses and coats with inscrutable attention to detail: drapery and fabric choice. What makes their clothing so unique is that “it has always been about elegance, a return to what we like to call the ‘art of dressing’,” Jeffery explains. They continue to be on the top of the fashion radar by not trying to keep ahead of the trends. Robert explains, “We never fall for trends because what we offer is a consistent view and love of women- We love presenting our work and letting others get what they want and need from it” Everyone brings their own experience to what we see.”
Costello Tagliapietra is truly a duo, two people in the company running the entire show from their third floor studio in their home in Brooklyn where they construct the entire process from start to finish. From the sketching, to pattern making, to the meeting with buyers, to the sewing, is touched only by their two sets of hands. Sketches are on the wall hung by thumbtacks, piles of old international fashion magazines are stacked away in the corner, and mounds of large, thick fashion books are piled high along the wall. Their workshop is the true essence of dedication, fashion history, and fashion in the making. “We definitely design what is personal and important to us – it is our little universe that we have created and of course it is always the woman and how to make her feel special, elegant and confident.”
Costello Tagliapietra’s trademark is a beautiful crafted hand for jersey which lends to smooth draping and expert tailoring. They are known as masons of 70’s glamour and elegance. Fabrics do change from season to season but their dexterity lies within the calculated choice of fabric from which to build upon. This season for Fall 2009 they sent out washable ultrasuede: a cocktail dress and well-constructed jackets in a muted palette of grays and purple with a dash or burnt orange. This season, their freshest silhouette was the use of a Jodhpur sleeve. “For this season, the collection became an Avedon/fifties silhouette seen through the lens of Giger landscapes,” they explained. “It was about heroines of the cyber punk classic Neuromancer-bladerunner as much as it was Avedon,” they added. This was the first season that they introduced accessories into their collection: big chainmail ultra suede knotted necklace braided with sparkling Swarovski crystals.
Why does the duo have such loyal following despite their size? “Personalization is what makes life interesting and how you wear your clothing and what your wear with them says a lot about the wearer,” they explain. With a genuine smile they exclaim, “Every client is important to us!” This connection between the creator and customer explains not only the success of their collections, but their humble and genuine personalities. A quite refreshing fountain in fashions’ famously phony fishing pond.
Their collection is being sold worldwide, and at Barneys New York. They foresee expanding their jewelry line as well as venturing into menswear, shoes and handbags.
Sarah Sulzberger Perpich
TopShop Mania

It was exactly a week since the opening of Topshop on Broome and Broadway in NYC. I had heard about the lines around the block to get in but thought it would be safe going a week later – in the middle of the day – on a work day – BOY was I wrong. As I waited in the line, pushed along like cattle by the security guards, cramped close together by more and more short steel fences, I told myself that I was only going in the store for research, being the recessionista that I am. After 40 minutes in line I was told the store could only let 75 people in at a time. I walked into the double doors and all my frugal thoughts were forgotten. Mannequins styled throughout the store in colorful clashing clothes with soft-fringed leather handbags and multiple chain mail gold necklaces down to their belly buttons. Don’t forget those shoes-white platform patent round toe high heels straight out the 70’s disco fever.
I was so overwhelmed on the first floor that I felt assured that men’s was upstairs so I could take my time but no, I was wrong again. There were three floors dedicated to me. The accessories were all oversized, dramatic chandelier earrings that fall past your chin and rings the size of silver dollars. There were basic tee shirts and then various colorful silhouettes that had asymmetrical hemlines or large arm holes and draping on the sides. There were white fishnet leggings, black and white palettes mini skirts, gold shimmery tank tops, adorable navy lady like blazers mixed in with booty shorts and every color of skinny jean you could think of. There were denim jumpsuits, high-waisted shorts, and mini tutu skirts, blue and white striped button up. There were cropped leather blazers, and long cardigan sweaters in muted colors but with piping along the edges-everything had an edge. There was not one boring piece of clothing or accessory in the house.
I fought among the other women like animals in a jungle, running from this shirt to those pants-whatever caught my eye. And when I looked at the price tags, I felt an enormous rush of happiness: the perfect jean shorts with one inch cuffs for $55 and a cool navy silk zipper jacket with draping on either side for $70, I was in shock-maybe let’s say euphoria. My anxiety escalated once I spotted what I wanted. Could I grab the right size before the other desperate customers stole them from under me? Everyone was frantically running around the store with piles of clothing in each arm and jewelry tightly cupped in their hands-I admit, I was one of them.
Just when my arms began to ache from holding so many items, I hit the dressing room. This is where my euphoria took a hit. Talk about waiting lines, I waited for 45 minutes just to get into a dressing room; although, I have to admit the rooms were quite spacious and had a beautiful purple curtain and plenty of hooks for armfuls of clothing, perfect for keeping yourself organized. While I was waiting in line, I asked the women if the store is always this busy and they said “Definitely. Any day, any time of day, it’s always chaos.” I then, regretfully asked, what is the difference between Topshop and H&M? They gave me a look of disgust and a stare that said, “How dare you compare us to H&M.” “They are totally different, totally totally different,” my salesperson said. “Although this store is pricier, it is also edgier and there are no boring H&M pieces lying around. It’s hipper and we do more collaborations with designers like what we have now, (Kate Moss, Jonathan Saunders, Unique, Richard Nicoll, Mario Schwab, Preen and Boutique shoes) than H&M, that will have one designer every couple of months. Also, you are a lot less likely to see something you buy here on someone else than if you buy something at H&M.” I have to admit, I agree. Even the atmosphere was different. The store was booming with fun music, people everywhere smiling with wide eyes and grins from ear to ear, I felt like I was in Whoville on Christmas morning, but with the presents.
After trying on my clothes and leaving with a leather coat, a navy blazer and a pair of shorts (guess I threw my freeze on shopping out the window) I came to the third floor and that was where the action was. Talk about the jungle; panthers grabbing the patent platform heel before another woman can snatch it out her hand, five display cases of shoes as unique and desirable as any department store shoe department. The shoes were all over the place, as soon as someone put them down another woman scooped them up. Every woman for herself! This was war! I sneaked my way, like a prowling cat, through the shoes thrown over the floor and on display and had found my dreams could all come true-a pair of platform suede strappy pumps for $125, a pair of black patent 70’s high shoes as high as stilts, $150, the smart pair of spectators in white just lying there for me to grab them, calling my name. I couldn’t believe that I could buy three pairs of shoes that looked just as beautiful as a pair of $700-$1400 sandals for under $400. I could buy an inch of the heel of a designer shoe for that price. It struck me that I could now afford smart, sexy, incredibly chic and stylish shoes without breaking the bank-even three times without breaking the bank.
One of the most interesting things that I noticed was that the customer service was impeccable. I had the shoe salesman running up and down the four floors to look for shoes that weren’t even in the computer just to double check they weren’t hiding there, I had a woman help me find another size in shorts while I was in the dressing room greeting me with a smile, and an “of course I can.” I also learned that on the third floor there were Topshop “Style Advisors.” Topshop even has its own personal shoppers-for free. I had died and gone to heaven.
It was definitely worth the wait, the two waits actually. I somehow managed to stay in the store for four hours while originally I had planned only to browse through. I left with four bags-I guess my recessionista went on vacation for the day but still managed to take home amazing clothes and three pairs of shoes for under $800. Not bad, not bad at all.
